
 
        
         
		Subtle little variegata ‘Mexicana’   
 (Salter before 1859, MTB) 
 ,  dave prichard 
 Not-so-subtle ‘Black and Gold’   
 (Rudolph Kleinsorge 1943, TB) 
 ,  mike unser 
 Luminata ‘Bertha Gersdorff’   
 (Jacob Sass 1942, TB) 
 ,  nancy mcdonald 
 The glorious blend ‘Prairie Sunset’  
 (Hans Peter Sass 1939, TB) 
 ,  dave prichard 
 world, the variegata pattern appears in all classes of  
 bearded irises.   
 ‘Fire Chief’ (Galyon, 1959) is a classic mid-century  
 variegata. ‘Al-Lu-We’ (H. P. Sass, 1932) has yellowish  
 standards and ruddy red falls, so is also a variegata.  
 ‘Gay Hussar’ (E. B. Williamson, 1929) has yellow  
 standards and maroon falls. 
 This leaves us with the blends. ‘Dolly Madison’ (E.  
 B. Williamson, 1927) is a blend of mauve and grey, with  
 very bright orange and yellow center. ‘Quaker Lady’  
 (Farr, 1909) is similar but more subtle. Sidney Mitchell  
 apparently was not a great fan of these back in the  
 1940s, as he described them in Iris for Every Garden as  
 “rather dull, combinations of smoky blue and gray or  
 yellow and red.” Yet blends are well loved among iris  
 gardeners, with their widely varying color patterns and  
 shadings. Irises like ‘Prairie Sunset’ (H. P. Sass, 1936) are  
 far from dull; it is a blend of light yellow, peach, copper,  
 and light red.  
 Newer Color Terminology  
 Luminata – This term became official  
 with a paper published in an AIS Bulletin  
 in 1972. Although the color pattern has  
 been around since at least the 1940s, it  
 was called by a variety of names—fancy,  
 fancy plicata, weirdie, and others—and  
 no one was exactly sure what was meant.  
 Now luminata has a very specific genetic  
 meaning, and true luminatas must meet  
 that genetic qualification. The term is also  
 used informally to mean any iris that looks  
 like a luminata. A luminata or luminataplicata  
 has a wash of color in the falls with  
 paler, rather than darker, veining. There  
 are clear unmarked areas on the hafts,  
 and usually a paler edge to the petals.  
 ‘Moonlit Sea’ (J. Sass, 1942) is the classic  
 luminata. ‘Pretty Pansy’ (Sass Bros, 1946),  
 ‘Fairy Fancy’ (H. E. Sass, 1953), ‘Havelberg’  
 (Schwartz, 1959), and ‘Bertha Gersdorff’ (J.  
 Sass, 1941) are all true luminatas, as is the  
 very rare ‘Weirdie’ (Craig, 1949).  
 Glaciata - This is a special type of iris  
 without any dark anthocyanin (blue, violet)  
 pigments. It may be yellow, cream, pink,  
 orange, or white. Luminatas and glaciatas  
 have precise genetic meanings, and they  
 are easily confused with irises that are  
 similar, but not exactly the real deal. Don’t  
 let this concern you unless you get into  
 breeding or are a purist. The garden effect of the  
 nearly-pure is just as lovely.  
 You should be able to apply your color pattern  
 knowledge to nearly any iris, thereby increasing  
 the possibility of confirming an identification. Even  
 gardeners with color perception problems should be  
 able to classify most iris blossoms into one of these  
 categories, though I admit it’s not always as easy as  
 it sounds. Some irises exhibit more than one color  
 pattern; for instance the modern ‘Howling At The  
 Moon’ (Lowell Baumunk 2012, TB) shows both variegata  
 and luminata patterns. Some irises all but defy  
 classification—but most, you will find, fit somewhere.  
 Cameras and computer monitors change the shade  
 of many colors, but paying attention to these color  
 patterns should help considerably in our identification  
 attempts. 
 d 
 Winter 2019 AIS Bulletin 37