
 
        
         
		‘Mary Geddes’ (Stahl.-Wash. 1931, TB) 
 1936 
 ‘Pacific Panorama’ (Neva Sexton 1960, TB) 
 ‘Winter Olympics’ (Opal Brown 1963, TB) 
 ‘Debby Rairdon’ (Lois Kuntz 1964, TB) 
 ‘Dream Lover’ (Esther Tams 1971, TB) 
 ‘New Moon’ (Neva Sexton 1968, TB) 
 1971 
 1973 
 1977 
 ‘Blue Rhythm’ (Agnes Whiting 1945, TB)  
 ‘Wabash’ (Mary Williamson 1936, TB) 
 1950 
 ‘Violet Harmony’ (Edith Lowry 1948, TB) 
 1957 
 1965 
 1967 
 1940 
 ‘Starwoman’  (Marky Smith 1998, IB) 
 2008 
 ‘Blue Rhythm’ (Agnes Whiting 1945, TB)  ‘Violet Harmony’ (Edith Lowry 1948, TB) 
 1927 
 The Wells County Historical Society has a museum in  
 Bluffton, Indiana, on the Wabash River. The display case  
 has valuable information on Emma and Paul Cook (Cook- 
 Douglas Medal fame) and the Williamsons (Williamson- 
 White Medal fame, among others). The actual ‘Wabash’  
 Dykes Medal is included with Mary Williamson’s name  
 engraved on it. 
 I had not given any further thought to this matter  
 until a recent posting online in News And Notes stated  
 that Marky Smith was the first woman to win the Dykes  
 Medal. I quickly pointed out Mary Williamson preceded  
 her in 1940. Then Wayne Messer asked about the tall  
 bearded (TB) iris ‘Mary Geddes’ listed in the 1939  
 Checklist as (Stahl.-Wash. 1931). I copied Cathy Egerer,  
 president of the Historic Iris Preservation Society, who  
 gave a fascinating program at the AIS Convention in Des  
 Moines3  about Agnes Whiting, the 1950 Dykes Medal  
 winner, and Keith Keppel as a former AIS Registrar and  
 historian. Then the fun began. 
 2017 
 You must consider the times. Women’s suffrage for  
 the right to vote in America reached a crescendo when  
 the United States gave women equal voting rights with  
 the Nineteenth Amendment ratification in 1920. That was  
 144 years after our Declaration Of Independence from  
 England. But even then most women were considered  
 almost exclusively by their family connection rather  
 than their personal accomplishments in the arts, science  
 or industry. Times were still pretty formal with women  
 identified as Mrs. Tom Jones or Mrs. John Smith.  
 Members of the newly formed American Iris Society  
 were exceptional as Grace Sturtevant (Miss) or Ethel  
 Peckham (Mrs. Wheeler H.) and Thura Hires (Mrs. J.  
 Edgar). Yet in the iris hotbed of Nashville, Tennessee and  
 its hybridizing center of Vanderbilt University, society still  
 identified with past genteel traditions.  
 Thus in 1931, a short eleven years of distaff voting  
 history as compared to 144 years of independence, the  
 introduction of ‘Mary Geddes’ (remember Stahl.-Wash.)  
 Winter 2018 AIS Bulletin 49